From the Experts – Sailing World https://www.sailingworld.com Sailing World is your go-to site and magazine for the best sailboat reviews, sail racing news, regatta schedules, sailing gear reviews and more. Tue, 22 Oct 2024 12:36:18 +0000 en-US hourly 1 https://wordpress.org/?v=6.4.2 https://www.sailingworld.com/uploads/2021/09/favicon-slw.png From the Experts – Sailing World https://www.sailingworld.com 32 32 How to Manage and Measure Mistakes https://www.sailingworld.com/how-to/how-to-manage-measure-mistakes/ Tue, 22 Oct 2024 12:36:17 +0000 https://www.sailingworld.com/?p=79837 Be it mistakes, or just bad luck, adversity in sailboat racing is inevitable, but there is a way to methodically come to terms.

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Regatta Series Chicago
If you’ve ever flubbed the pin layline or have a habit of being OCS, there’s a methodical way to avoid doing so again. Identify the root cause and define a solution. Walter Cooper

It’s not the first mistake, it’s the second,” world champion sailor Bora Gulari once said while I was coaching him in the Nacra 17 for the US Sailing team. When asked if it was OK to quote him, he said, “In fairness, I got that from Terry Hutchinson.” Regardless of the origin, I like its message—that the unexpected is inescapable, and that it’s how we manage problems that matters. That doesn’t mean being complacent, however. It means finding solutions.

When I’m sailing, I make ­mental notes of any adversities such as “spinnaker takedown late.” Then, once onshore, I add details into the Adversity Spreadsheet that I keep. It’s an incredibly useful tool to keep those second mistakes from happening again. I recently added an Impact column to the spreadsheet, which is a measure of how many boats were lost due to a noted adversity. This is easy to estimate sometimes, such as our flubbed takedown cost us two boats, so the impact is simply “2.” But it’s harder to estimate the impact of a bad start. Did it cost me 15 boats at the moment, or five? All I can do is make my best guess.

The Impact column also helps me identify my repeat offenders, understand which ones cost me most, and motivates me to work on improving. It’s eye-opening that, for any given regatta, even in winning, I might have an impact of 30 or more. In losing, I might see just a few things I could have done better that would have made all the difference.

This Impact column has led me to pondering the risk ­versus reward trade-offs of an OCS. For example, I recently sailed a regatta where I pushed the line and was OCS in one of the 10 races. But the other nine starts were excellent. It’s hard to measure, but maybe my finishes would have been five places worse per race if I’d held back. Over nine races, that’s 36 points. But the OCS cost me 60 points. Without a discard, ­pushing the line risking an OCS is a major error, but if there were a discard, I get to shed those 60 points, so risking the line is the right move.

The whole point of ­gathering all of this information into the spreadsheet is to come up with solutions. For our poor spinnaker takedown, my teammates and I concluded that there were two solutions. The first is to start the process a little earlier when we are not fighting for mark room. But when we don’t have that luxury, we came up with a process change: When we need to carry the spinnaker late, we need to put the board down and jib up very early, then strip the pole and free-fly the spinnaker. The Solutions cell in the spreadsheet can be simple and to the point, or long and in depth.

Boathandling adversity is definable and mostly in our control. Practice is usually the solution, but in the long run, I think that the best way to reduce it is to empower each team member to succeed and equally empower them to be human and, with that, make mistakes. When I see someone on another boat lay blame and even yell at their team member, I cringe. I expect an occasional boathandling error from my teammates, and they expect the same from me. In the moment, the right response is to work together to recover. Then, after the race, the spreadsheet is a low-conflict way of defining problems.

Boat-on-boat tactical adversity is often our mistake. If I am on port tack and feel strongly about wanting to get right, for example, a mistake would be to lee-bow a starboard tacker instead of taking the big duck. Most tactical errors can be solved by the tactician clearly planning and communicating. A good comms example would be: “We are going right, so if anyone comes, then we are ducking.” It reinforces planning for specific moves with an if/then.

Strategy is an interesting study in adversity mitigation. We can put solid thought into our race strategy, but in the end, Mother Nature does whatever she wants. Suppose I identify the adversity in my spreadsheet as: “I went left as local knowledge dictated, but instead a persistent righty won.”

If, in looking back, I can see no way to have predicted the right shift, I can’t count that as an error. However, the error might be that I did not mitigate the damage. The root cause would be: “I did not see the righty soon enough.” The solution could be: “We need a team member assigned to regularly to check the opposite side of the course for signs of change.”

Boatspeed adversity is the most frustrating because the root cause is often hard to identify and elusive to solve. But it is always in our control. 

For adverse tactical situations over which we have little control, we switch our focus to mitigation. Suppose we identify adversity as “we were tacked on.” We might call it an error because “we tacked into too good a lane and it was inevitable we were getting tacked on.” The solution should be: “We should have tacked in a compromised lane, that way the odds of ­getting directly tacked on would be low.”

One easily identifiable adversity is a protest situation. Many fouls can be avoided with clear communication with competitors. Suppose the error was: “We thought it was obvious that we were clear ahead at the zone, yet someone jammed in anyway.” The root cause is: “We did not communicate that they had no room.” The solution is: “We should always start the overlap conversation 10 ­boatlengths out. Doing so establishes the overlap status in case of a protest situation, but more importantly, it leaves enough time for both boats to think things through and be mentally prepared to round in the proper order.”

Boatspeed adversity is the most frustrating because the root cause is often hard to identify and elusive to solve. But it is always in our control, and as such, is listed as a mistake in our spreadsheet. If the problem is: “We are slow in medium wind and chop,” and the root cause we might have to write is: “We have no idea why.” In this case, the solution is: “We need to ask some of our friends who are doing better in this condition, come up with a list of things to try, and then find medium wind and chop to train in with a tuning partner.” There is no simple solution to boatspeed woes, but to do well, we must be fast, so we must never stop working on speed.

ADVERSITYERRORIMPACTROOT CAUSESOLUTION
Spinnaker
takedown late
Yes2I called or a takedown
too late.
Start the process a
little earlier when we are
not fighting for mark
room. But when we
need to carry the spin
late, we need to put the
board down and jib up
very early, then strip the
pole and free-fly the spin.
OCSMaybe60Pushing the lineNot an error if I have a
discard; OK with an
occasional OCS when I
have a discard because
I can push the line.
Just a bit late
to the start
Maybe36Being conservativeNot an error if I have a don’t
have a discard; I want to
be conservative. But is
an error and should
push harder if I have a
discard.
I went left as a local
knowledge dictated,
but instead a
persistent righty won.
No10No root cause; no way
I can think of even in
retrospect that we
could have known the
right would come in.
None. We did a good job
recognizing it, and we
committed hard
left, so when we reacted
quickly, we were able to
mitigate the damage.
I lee-bowed
instead of ducked.
Yes5Boat tacked to
starboard, and I was
caught off guard.
Tactician continually
plans for the next
possible interaction:
“If bow 26 tacks to
starboard, duck, we
want to keep going
right.”
We were tacked on.Yes4We tacked into too
good a lane, and it was
inevitable we would get
tacked on.
We should have tacked
in a compromised lane,
that way the odds of
getting directly tacked
on would be low.
We are slow in
medium wind and
chop.
Yes20We have no idea why.We need to ask some of
our friends who are
doing better in this
condition, come up
with a list of things to try,
and then find medium
wind and chop to train
in with a tuning partner.

An ongoing boatwork list, along with regular inspections and replacements, takes care of most mechanical adversity. But mitigation comes into play too. For example, born from things going wrong, I have added redundancy to some systems. For example, my outhaul broke once, and it’s ­impractical to inspect it often because it’s inside the boom, so I have added a safety line. I’ve busted my spin pole more than once, so now I carry a spare. While coaching, whenever my athlete asks, “Do you think I should replace my—” I interrupt with a “Yes!” before they can finish. It does not matter what they were about to identify, if they question whether it should be fixed or replaced, it should be. If ­nothing else, for peace of mind.

Managing adversity is a deeply personal mental game. For me, when something goes wrong, I take a deep breath, hold, then exhale. It probably takes only about 5 seconds for that full cycle, the amount of time my brain needs to move on. And with my breath held, I can’t possibly do something in the heat of the moment that I will regret.

I once coached an ­emotional team of three sailors, and we used the word “helicopter” to get the team back in focus. Anyone on the team could say it, and the agreement was that the others would each visualize being dropped into their boat from a helicopter, with no knowledge of how they got into their current position. The message was: “No blame, no bad history, just focus and hard work from where we are.”

Even in winning major events, I have never raced without plenty of adversity. Some clear mistakes, some completely out of my control, and plenty somewhere in between. I have learned to expect them, and with that, I am free to move on to managing whatever the problem might be. In the moment and with a clear head, I want to quickly come up with the best solution. Postrace, I want to identify the root cause and hopefully agree with my team on a solution. Even if I can’t identify the root cause, the solution will be to study it to find the root cause. Those that are squarely in my control, such as ­boathandling, I want to do everything I can to eliminate. Others, such as picking a side, are less in my control and I am only playing odds. For these, I work on mitigating their damage. But most importantly, when the inevitable problem does come our way, I want to empower my team to do the best they can to mitigate the damages and move on, ­avoiding that second mistake.

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How to Fill the Foretriangle https://www.sailingworld.com/racing/how-to-fill-the-foretriangle/ Tue, 15 Nov 2022 17:09:01 +0000 https://www.sailingworld.com/?p=74635 With modern sail design and hardware technology, ocean racing teams have more versatility with their sail inventories. Here’s how one team developed a winning inventory for the 2022 Bermuda Race.

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J/122
For the Bermuda Race, Andrew Clark’s team on the J/122 Zig Zag developed an inventory that gave them options across the range while also minimizing sail changes. Marty Kullman

Triple-headed sail ­inventories are becoming more popular these days, but the question is, does this setup actually make your boat go faster or simply add more complexity? I remember not too many years ago during a race when someone suggested we hoist the staysail and see if we picked up half a knot of boatspeed. We did, and then after a while everyone was convinced we should take the staysail down. We did, and what do you know? We picked up half a knot. At the time, I guess we really didn’t have the right answer, but we sure had a lot of opinions. Fortunately, with today’s technology we have data to back up what sail ­selection is fastest.

Last year, the team on Andrew Clark’s J/122 Zig Zag wanted to develop a sail inventory specifically for the Newport Bermuda Race. Clark reached out to me, looking for a sail package that would give Zig Zag the best solution to win. Throwing a bunch of sails at the problem wasn’t the solution because there are many factors that can influence the decision on the ideal sail inventory—rating rules, anticipated wind conditions, number of sails and weight.

The first thing we did was look at the historical conditions of the Bermuda Race and determine the percentages we would spend sailing at each wind angle and wind strength. Typically, the Bermuda Race is slightly lighter, with a lot of conditions changing as you enter the Gulf Stream. This told us we had to make sure we had all our bases covered.

The second element we looked at was the number of sails and the total weight of the inventory. If we can reduce the number of sail changes during a race, the less time we can spend sailing below target speeds. Sail changes are costly, and if there is a chance to reduce the number of changes without giving up performance, that needs to be factored into the equation.

The third element is the rating rule. Every rule is different, and special attention needs to be taken to evaluate sail size and the type of sail entered for the certificate. Some rating rules allow you to submit a test certificate to see how the changes affect the rating.

The last element is the quiver of sails that will make up the inventory and be applied to the rating certificate. This step is where the project team looks at everything, weighs the pros and cons, and comes up with a solid inventory of sails that it can then use to build a polar chart specific to the J/122 and the selected set of sails.

After a sail-configuration analysis, the team at Evolution Sails recommended a triple-headed reaching setup that would increase reaching speeds based on the current sail configuration Zig Zag was already using. The triple-headed setup includes a J Zero, jib and gennaker staysail. The J Zero is designed to be a smaller and flatter sail than the traditional larger Code Zero. It’s flown off the bowsprit with a furler and is also referred to as a flying jib. The gennaker staysail is a flat and smaller sail that fits in between the jib and the mast. With the J Zero deployed on the bow pole, the jib can be flown off the forestay as it always is, and then the gennaker staysail is set up between the forestay and mast trimmed inside the jib.

This setup improves the performance better than the traditional inventory options. What we found in previous sail inventories is that tight-­reaching configurations consisted of a jib and a gennaker staysail. An additional sail that was historically designed for reaching was the Jib Top, which is a high-clew jib that can be trimmed easier on a reach than a standard jib.

Once the sails were designed, built and delivered, the hard work of sail testing began. The goal here was to build a polar table and sail chart that would guide us through which sail we should have up in specific ­conditions. Polars are calculated speed versus wind angles that take sail inventory into consideration and can be found from the manufacturer for most boats. What the manufactured polars don’t consider, however, is the sail inventory itself.

sail chart
Zig Zag’s sail chart: J Zero (light gray), Code Zero (light blue), A3 (purple), A2 (blue), A4 (dark blue), A5 (green), A1 (teal) and J1/J2/J4/J3 (dark gray). Marty Kullman

The best way to create polars, of course, is by sailing the boat with the sail configurations. Zig Zag uses Expedition software to log actual performance versus the calculated polars the design team compiled. We were able to correct the performance of each sail and configuration, and edit the tables in Expedition to help guide us through the race. We then updated the polars and created a sail chart that showed which sail should be used based on specific wind angles and windspeeds. This process takes time and practice. You need to sail the boat in many sail configurations at each wind angle to find the ideal setup. Zig Zag did several practice days with the triple-headed arrangement in order to log the speed performance versus other configurations.

Expedition software is one of the best sailing software tools on the market. It does an unbelievable job with navigating, but it also helps develop the polars and sail configurations. To have good data from Expedition, however, the electronics on the boat must be calibrated properly. This is the most difficult part of the equation because it is very complex to get accurate. If the data that feeds Expedition is not accurate, the sail and polar analysis will not be accurate. Having a dedicated person who knows the instruments and can calibrate them on an ongoing basis is a key element to have a successful program. With accurate data and a lot of sail testing, Expedition creates data files called strip files. These files contain the data to analyze and also can be sent to a third-party analyst to do the comparison.

Once we were ready to race with an Expedition update and the forecast in hand, we could see which sails we were projected to use throughout the race. This gave us an overall idea of when sail changes needed to happen and which sails we would be looking at using next based on the forecasted wind models.

How do we configure the foredeck to handle all these sails? The pole length is fixed and the forestay is fixed, so those two points are easy. The location for the gennaker staysail forestay is what we needed to figure out. When we looked at the J/122, we needed a mast attachment point and a deck point. We wanted to set the gennaker staysail forestay about two-thirds forward between the forestay and mast, which would allow it to fit between the jib and mainsail, with the leech of the sail just touching the lower shroud.

Once we found that point, we added a soft-shackle attachment point into the deck and an attachment point on the mast near the top set of spreaders.

With all three flying, the jib could be trimmed off a barber-hauler sheet and the primary jib sheet depending on the wind angle. The J Zero is trimmed to an outboard sheet, and the gennaker staysail is trimmed to a cabin-top attachment point that we installed on top of the turning blocks, which gave it the right trimming angle. For different types of boats, you will need to sit down with the sail design team and look at all these issues to be able to design the gennaker staysail and J Zero to fit and be trimmed properly.

Going to the triple-headed sail configuration helped the Zig Zag team improve the overall performance of the boat based on the data analysis. For future races and practices, we will continue to evaluate and tune the numbers to help improve the overall base-line polars. This is an iterative process, and it’s what makes sailboat racing so dynamic and a huge passion for many people. And as for the Bermuda Race results? Team Zig Zag finished first in its division and second overall.

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Organizations Face New Insurance Challenges https://www.sailingworld.com/how-to/accidents-force-a-shift-in-coverage/ Tue, 12 Jul 2022 16:20:24 +0000 https://www.sailingworld.com/?p=74283 Two recent accidents have forced sailing clubs, classes and individuals to look closer at their exposure and coverage.

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Race officials
Race officials are typically ­covered under yacht-club insurance policies, but experts recommend all organizations review their policies carefully. Paul Todd/ Outside Images

Adequate insurance ­coverage is an essential part of our lives. Boats, homes, automobiles, health, art collections and businesses should be properly covered, and the same is true for individuals who manage our sport, especially races officials, instructors and coaches training our youth sailors and adults on the water every day. For many years, US Sailing carried an insurance policy that provided coverage for race officials and sailing instructors, but recent accidents and subsequent settlements are prompting many of our institutions and race officials to look more carefully at their coverage and exposure.

Previously, US Sailing’s basic policy provided up to $1 million in coverage per incident and up to $20 million in excess coverage. Insurance for a large portion of American yacht clubs has been provided by Chubb Limited and the Gowrie Group, an insurance agency headquartered in Westbrook, Connecticut. The partnership has been working well to appropriately cover claims for fires, floods, fatalities and injuries over the years, but an incident in November 2020 is having a major impact on how insurance policies are written and who can receive coverage.

The accident, now well-­documented, occurred during a sailing practice in Optimists hosted by Florida’s Sarasota Youth Sailing Inc. The sailor, 10-year-old Ethan Isaacs, was killed by the propeller of a coach boat. A US Sailing-certified 18-year-old instructor was running the practice session near Ken Thompson Park on Sarasota Bay when, according to an incident report published in the Sarasota Herald-Tribune, he “reportedly lost his footing and fell, putting the vessel in gear. He was thrown from the boat that continued forward unmanned, striking several 8-foot sailboats in a SYS Green Fleet practice. Two sailors had minor injuries, and Isaacs died as a result of his injuries at Sarasota Memorial Hospital.”

Carter Gowrie, managing director of the Gowrie Group, says Chubb promptly paid the $1 million claim, which was the policy limit. “The attorney for the parents went looking for another pocket and found that US Sailing covers named insured that are certified instructors,” Gowrie adds. “So, they came straight to US Sailing.”

Chubb then paid $12 million for the claim without going to court, Gowrie says.

Andrew Clouston, senior vice president of programs and ­services at US Sailing, says that after the incident in Sarasota, Chubb realized it needed to clarify its coverage. “The $12 million settlement that came out of our policy wasn’t a judgment—it was a settlement,” Clouston says. “Chubb felt it was better to settle with the family.”

There have been other sailing accidents over the past decade that resulted in fatalities. One accident took place in Annapolis, Maryland, in June 2011 when 15-year-old sailor Olivia Constants drowned after her 420 capsized. An in-depth review panel investigated the incident and made recommendations that resulted in better trapeze equipment for boats, as well as improved procedures for instructors and yacht clubs when accidents happen on the water. The Constants family did not pursue an insurance claim.

An accident similar to the fatality of Ethan Isaacs took place in July 2017 at the Centerport YC on Long Island, New York, when a propeller of an instructor’s boat ran over 12-year-old Ryan Weiss. A Suffolk County police officer, Sargent James Scimone, investigated the accident and reported: “We’re investigating this strictly as an accident. Nobody is at fault. The instructor is a young instructor, and he was doing everything he was taught to do.”

Chubb settled a claim by the Weiss family for $880,000, and the family encouraged elected officials to introduce a requirement, called “Ryan’s Law,” for propeller guards on boats used to instruct children. The Suffolk County New York Legislature passed the bill in July 2018 requiring that an encasement or cage surround the propeller of a boat being used for ­instructional ­sailing courses.

The Isaacs family has proposed different legislation in Florida. Their proposal, published by the Schrier Law Group, is “to require the operators of support boats under 26 feet to wear a device that automatically shuts off the engine if the operator is thrown overboard.” The Schrier paper points out that seven states have similar laws in place. Florida State Rep. Fiona McFarland introduced “Ethan’s Law” in 2021, and the bill is progressing through the Florida State Legislature at this writing, having received unanimous approval to move forward at the committee level.

After the Isaacs family settlement, Chubb clarified that its coverage only applied to race officials and sailing instructors participating specifically in US Sailing Championships, US Sailing events or US Sailing courses.

“In the new form, if a volunteer or employee of a yacht club is working at a regatta, that person is covered by the yacht club’s policy, but not by US Sailing’s policy,” Gowrie says. “The Burgee Program provides coverage for employees and volunteer race officials.”

When asked if independent sailing instructors should have their own insurance policies, Gowrie was forthright: “The instructor should get his or her own insurance. You can’t really rely on other entities to protect you for a liability situation. If you are serious about being a professional coach like that, [then you should] start an LLC and buy your own insurance.”

More than 1,300 organizations across the United States are protected by the Burgee Program, Clouston says, and it “protects not only the organization, but also the board members, flag officers, volunteers and employees.” It is designed for sailing organizations and managed by the Gowrie Group, underwritten by Chubb, and endorsed by US Sailing.

Clouston believes, however, that there should be different levels of insurance depending on who is insured: “The risk is higher for an instructor in a chase boat compared to a judge in a hearing room,” he says. “We are looking at different options for different risk profiles.”

Clouston recommends all yacht clubs and sailing organizations review their policies carefully. “It’s important that clubs pull out their policies and have a good look at them,” he says. “In Sarasota, they had a $1 million policy and no umbrella coverage, and clearly, that wasn’t enough. A race official needs to make sure the club organizing authority has adequate insurance so the race official doesn’t need his own umbrella. If a yacht club is in the Burgee Program, they have good coverage that includes race officials and instructors.”

The Isaacs family settlement has prompted Chubb to put a spotlight on some of the language in policies that were negotiated 20 years ago, Gowrie says. Consequently, Clouston makes an important recommendation for all sailing organizations: “They should look to see that their primary insurance is in place. Those conversations are happening all over the country now, which is a good thing.”

Insurance is an important part of our daily lives, including sports. And while we’re in proliferating litigation, it is the responsibility of US Sailing, yacht-club leaders, boat owners, race officials, sailing instructors and, in fact, all sailors to review their insurance policies. The basic concept of insurance is to spread the risk of loss, and everyone is in this cause together. Higher premiums could jeopardize participation in sailing, so we need to continue to ensure the sport is as safe as it can be. Gowrie says his company provides extensive safety information for yacht clubs, which is available upon request, and this renewed focus on insurance is a good reminder for us all to take the proper steps to help keep people protected and safe on and off the water.

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How to Ensure A Good Start https://www.sailingworld.com/how-to/how-to-ensure-a-good-start/ Tue, 28 Jun 2022 16:55:55 +0000 https://www.sailingworld.com/?p=74250 Following a few basic steps and implementing a pre-start routine ensures consistently good starts. Here's your go-to primer.

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sailboats
GPS units make it easier to get a front-row start, but in classes where they’re not allowed, fundamentals will get you there. Paul Todd/ Outside Images

Sailing is a simple sport. It’s easy to get caught up overthinking it, but if you want to do well, just remember there’s a basic way to do everything, from starts to boat ­handling and straight-line boatspeed. However, getting a good start is the first step to getting good results, so let’s get to the basics of getting off the line and then take it from there.

First things first: Get out to the racecourse at least an hour early. In the half-hour or so before the start, do a number of head-to-wind checks. I do them in a timed sequence, not randomly, which is important. It could be every five minutes or every two minutes, but absolutely do your checks in the same time sequence so that what you record isn’t random. If the wind oscillates through a specific time period, you can better identify the timing of the shifts. If you do your checks at random, you could miss an oscillation. You’re looking for a pattern, so keep doing it until you recognize one. Then go off and sail upwind on both tacks. Record your headings relative to your head-to-wind readings—just write them on the deck or wherever is easiest.

The next thing I’ll do is ping the line once it’s set. One thing we see people do wrong is they ping the line going head-to-wind. You don’t start head-to-wind, so you want to ping it on your normal upwind angle; otherwise, whatever device you’re using will be inaccurate. You can do your ping on either side of the pin; it doesn’t matter. The angle should be whatever angle you’d start the boat at, and you want to be going straight for about five seconds before the ping so the GPS isn’t in wandering mode.

Next is your line sight. I won’t start ­without having a line sight. In fact, I will do three specific line sights: one on the line, one from two boatlengths down, and one that’s four boatlengths down from the line. Your first line sight will be on the line, your second will be one length back, and your third will be two lengths back from the middle of the line.

While you’re doing sights, run along the line, or use a handheld compass and figure out the bearing of the line. Either subtract or add 90 degrees, depending on which end you’re facing, and you’ll know what wind direction the line is even for. If the wind is right of that, then the boat is favored; if it’s left of that, then the pin is favored. It’s simple, and you can do it anywhere on the line.

Now that you’ve recorded your wind checks, have a good sense of what the wind pattern is doing, and have your line numbers, it’s time to take at least two runs at the line. You want two runs of at least a minute, on starboard tack, to get your ratio of time and distance to the line. The most commonly used starting devices display distance in meters. So, for example, let’s say you go 2 meters for every second. That means you can be 120 meters behind the line and hard on the line with no interference—that gets you to the line on time and at speed. So, do two of those runs to feel what that ratio is. Let’s say the ratio is 1-to-1 (like it usually is), and I have 30 seconds to go but I’m 40 meters from the line. This tells me I will be 10 meters late no matter what I do. That’s why it’s important to have that ratio.

It’s also important to keep in mind that you can always slow down. You can’t go faster when you’re hard on the wind. So, when I get to the actual number and still have 40 seconds to go, and there’s anyone between me and the line, I’m not going to get there on time because I don’t have a clear line.

Again, you’ll need a couple of runs to get that ratio right. And then, of course, the ratio depends hugely if you’re on a lift or a header in that moment. If it’s a header, you’ll need more time to get to the line; if it’s a lift, you’ll get to the line sooner, so it’s important to know where you are at, and that’s why it’s important know where you are in the wind pattern. You might have a 1-to-1 ratio in an even wind, but if you’re in a header, you better plan on an extra 10 seconds. If you’re in a lift, you might need to burn 10 seconds more.

The final bit of prep is with two and a half minutes to go before the start. Here, I’ll set up a couple of boatlengths over the line, near the middle, and do my last head-to-wind check. Why? Because I want clear air to do the check. This tells me where the windshift is in the cycle and where I want to start.

A good start is being able to sail for three minutes uninterrupted, in clear air, and not restricted by the boat below. If you can do that alone, you’ll be in the top percent at the weather mark, regardless of what happens after that. If you want to go right, then you need to start in a place that allows you to go right within 30 to 40 seconds after the start. I’m always willing to give up a boatlength or two to not start in the perfect place on the line if I have a reason to go to the right. Off the starting line, if it’s a header and oscillating, you want to go fast to the next shift. If you’re in a persistent shift, then you want to go high into it, not fast forward. It really is that simple.

Starting at the favored end isn’t the ticket to success—most of the time. It’s more important to be able to go the direction you want immediately. At some point after the start you will need to tack, and that should be as soon as you’re confident you can cross the boats behind you and on the other side. Don’t wait until you get to the layline. It’s OK to give up a few boats on your side to go back a little early and be able to close off half or more of the fleet. It’s a good gamble, and we don’t see that done often enough. The best people can see the big picture and a couple of moves ahead. They can see what wins the regatta rather than that race, and that’s a big distinction.

Soon after the start, you should be sailing either offense or defense. Offense means you’re not happy with where you are in the race, and you have to take some chances to improve yourself in the regatta.

Now, we all know even the best plans can go wrong in the closing minutes of the start, especially in big fleets, so it’s also important to have an exit plan so you’re not getting tacked on right of the start and bounced back and forth. Predetermine which tack you want to be on and where you want to go. So, if things go wrong, determine ahead of time whether you want to exit on port or starboard tack, and be ready to do it.

In the bottom third of the racecourse, meaning soon after the start, you should be sailing either offense or defense. Offense means you’re not happy with where you are in the race, and you have to take some chances to improve yourself in the regatta. Defense means you’re happy with where you are in the regatta, and you stay with the group you’re with. You’re doing anything you can to maintain your position rather than doing everything you can to go forward in the fleet. Just like any other sport, playing offense or defense means you have to count points—and I’m astonished by how many good sailors do not.

A word about relying on GPS devices and pings: You have to be careful because the race committee will occasionally move stuff after you’ve pinged, so these might not be accurate. This is why it’s important to use your eyesight and your line sights all the time. For example, if your ping says you have 15 meters to go and your eyes tell you ­differently, then you better be careful.

Also, if you have your ratio to the line and know you’re behind it, it’s better to make something happen sooner—even if that means a tack. It’s better to tack with 30 seconds to go than a minute or two after the start when you’re about to get ping-ponged. Decide at 30 seconds to go whether your approach is going to work. If not, you can either tack or put the bow down and try to sail around people who are going slow. Either way, you can’t just sit there and wait. When things are good, time is your friend; when things are bad, time is your enemy. If you don’t like what’s going on in the moment, do something about it. It really is that simple.

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Progress to Perfect Tacks https://www.sailingworld.com/how-to/progress-to-perfect-tacks/ Tue, 26 Apr 2022 17:19:44 +0000 https://www.sailingworld.com/?p=73881 Repeating some basic steps will get you blazing through your tacks.

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crew
A good tack starts with the crew being ready, but not early off the rail. The countdown should account for the boat’s rate of turn. Paul Todd/Outside Images

What makes a great tack? It’s simple: whatever technique allows you to maintain the optimal combination of the best VMG during the tack and the fastest acceleration out of the tack. That’s easy to say but tough to do well. In my Interclub dinghy days, in light air, we often looked for opportunities to start a tacking duel with nearby competitors. It didn’t matter which way each boat was going; all we wanted to do was grind them down—keep tacking, gaining on every tack. Eventually, someone prevailed. That’s the power of being able to tack really well, and although you may seldom be in that type of tacking combat, tacking better than nearby boats can give you that extra couple of boat lengths that make the difference between rounding just ahead of a pack or rounding in the middle of it.

There always needs to be a reason to tack. It can be for a windshift, to find more wind, to head toward an advantaged side of the racecourse, to avoid a starboard tacker, being at or near the layline, for a navigational hazard such as a shoreline, shoal or oncoming freighter, to cover the fleet, to consolidate on a gain or minimize a loss, and even to take a flyer if in poor position. When in doubt, don’t tack. Many racers, including myself, tack too much—it’s a fatal flaw.

A few of my rules: Don’t tack in lulls or anytime tacking will put you into bad air. It’s better to tack in puffs, unless in heavy air and you’re worried about wiping out. When the windspeed is variable with gusts and lulls, you will lose much less by tacking in a gust rather than trying to accelerate in the light air of a lull after the tack. In oscillating winds, with several shifts per beat, generally tack anytime you are headed below your mean (average) compass heading for the tack you are on. There will be times when you should “eat a header” to get a bit deeper into the new shift, and there will be other times when you may tack off a small lift to find a larger shift or more wind.

For any given beat, study and ­understand the optimal number of tacks that leg requires to be sailed perfectly in the absence of other boats. Only one person should decide exactly where to tack—either the helmsperson or the tactician. And once that decision has been made, ­communication with the crew and the selection of the time and place to tack is critical, especially in a seaway. A well-trained crew is always ready to tack, which means sheets are always cleared, winches loaded, etc. I train the crew not to move until the countdown commences, “3, 2, 1, helm’s over.”

In a seaway, the tack must be done in harmony with the wave pattern. Choose an area or sequence of smaller waves. Done right, the wave pattern will assist the tack. Get the bow of the boat past head to wind as the next wave approaches so that the new wave helps push the bow down to course, requiring less rudder movement. When Tucker Edmondson and I were learning to sail 505s in our first big event—the 1979 World Championships in Durban, South Africa—we developed a technique for tacking in huge ocean waves that worked well: We’d finish the tack and accelerate on the top of the wave crest, filling the sails there instead of in the trough of the wave, where there was less wind.

Steering well through a tack is a bit like the Goldilocks story—you need to turn not too quickly, not too slowly, but just right. Of course, the million-dollar question is, what’s just right? The speed of the turn differs with every type of boat, every wind velocity and, as was the case for us at the 505 Worlds, every sea condition. Those are a lot of variables.

A great tack involves picking up as much VMG as possible during the first segment of the tack, and landing on the ideal exit angle for maximum acceleration as the tack is completed. This all requires good steering, crew coordination and sail trim. Broadly stated, a large, heavy keelboat should be tacked slower, and a light, planing dinghy should be tacked quickly. The fastest turn should be made in medium air and choppy seas, while the slower turn is good for flat water, lighter winds, and when overpowered in heavy winds. In overpowered conditions, the boat’s exit from the turn must be done slowly so as not to end up heeling excessively once on the new tack. No matter what, be sure not to overturn and end up on a course too low of your desired exit angle.


RELATED: Sailboat Racing Tips: Rules at the Start


Because most boats carry some windward helm or rudder angle, begin the tack by slowly moving the tiller or wheel to centerline and gliding the boat up toward head to wind. It’s through this first segment of the tack that you gain maximum VMG, so the longer you can maintain the boat’s momentum, the more VMG you’ll gain. However, that VMG gain comes with an associated loss of speed, which can be measured by the minimum boatspeed reached at the end of the tack as the acceleration segment begins. Have your crew watch the speedo or use a recording instrument, and you’ll get a good sense for that. How do you know when to end the glide and turn the boat through head to wind? Practice, experience, measurement and analysis, of course. I use an increasing rate of turn until just past head to wind and as the sails begin to fill on the new tack.

How you steer the next ­segment of the tack, from just past head to wind until you get to your acceleration angle, a few degrees below close-hauled, is critical. Just after passing head to wind, the speed of the tack, and therefore the degree of rudder angle, gradually increases—more ­rudder angle and a faster turn. From there, the next step is to land right on the exit angle. The location of that angle varies depending on the type of boat. You’re looking for the point where you most rapidly accelerate to the speed you were sailing before tacking. Finding the exit angle for your boat will take a lot of practice tacks. As you do them, note your target and actual speeds, the bottom (or slowest speed) during the tack, and how long it takes to accelerate back to full speed once on the new tack. As you approach the exit angle, the speed of the tack should slow, which means you’ll gradually reduce rudder angle. With an overlapping genoa, you might even want to pause the tack once the genoa is past the leeward shrouds. That allows the crew to trim on the genoa before it really loads up.

Trimming nonoverlapping jibs through a tack requires more finesse, and I’ve found that only the best trimmers do it right. As the boat turns up into the wind, the old leeward sheet is readied to ease. That might involve reducing the number of wraps on the winch, or uncleating the sheet so it is ready to ease freely. Don’t allow the old sheet to ease. During the tack, the jib is backed just a tiny amount, which accomplishes two things. First, it helps turn the boat through the wind and down onto the new tack. And second, it helps blow the jib around. Without backing, the tack will be slow. However, too much backing and the jib will reduce the forward speed of the boat like a brake. The moment it backs, immediately let the old sheet go. There are exceptions to this, such as when approaching the windward mark on the port tack layline. Then, allowing the jib to back for a couple of seconds helps pull the bow down to the new reaching course to the offset mark, requiring less ­rudder angle.

Next—and this is super-important—the trimmer of the new sheet must ­overtrim the new sheet as quickly as possible so that the jib fills on the new tack before the boat reaches its optimal course on the new tack. Once filled on the new tack, the jib provides acceleration and adds lee helm, thus reducing the amount of rudder angle needed to steer the boat down to the exit angle. The overtrim should be as hard as possible. That’s followed by an immediate ease until the boat reaches the exit angle. That ease must be done in harmony with the helms­person. So, as the boat ­continues its turn down to the exit angle, the trimmer eases the jib sheet until, as the boat accelerates to its optimal VMG angle and speed, the jib is then trimmed back in to its optimal tension and shape. A big indicator is the telltales will all be flowing. The process sounds easy, but it takes a lot of coordination between the offside trimmer, who eases the old sheet and backs the sail, the new trimmer and the helms­person. When done correctly, the jib fills on the new tack and literally pulls the bow of the boat down to the desired course, thereby reducing the amount of helm required to turn the boat. Less rudder means less braking, less drag—and greater speed. And that’s what we’re always after.

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Dynamics of Headsail Trim https://www.sailingworld.com/how-to/dynamics-of-headsail-trim/ Tue, 19 Apr 2022 16:34:39 +0000 https://www.sailingworld.com/?p=73848 The wind across your sails is dynamic, so too must be your sail trim. Pro sailor Erik Shampain explains the fundamentals of active headsail trimming.

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Some people say the ­mainsail is the trickiest and most important source of power in the inventory, and be that as it may—depending on whom you ask—the headsail is incredibly dynamic and critical to everything that happens behind it with the mainsail. How the wind flows from over, around and behind dictates what happens when that flow reaches the main. Get the jib trim spot on, and the mainsail will do its thing. And with the jib, there are many influences—rig tension, halyard tension, sheet load and angle, to name a few. So, let’s break down the essentials to that flow working and getting the power where you want it.

Jib sag/headstay tension
Jib sag/headstay tension: The sail gets flatter and flatter as the headstay tightens (photos left to right). Simultaneously, the area around the top batten twists off naturally. This makes the headstay tension a key factor for powering up and down. Erik Shampain

Headstay Tension

Let’s start with headstay sag, which creates power in the headsail. In light air, a softer headstay powers up the sail by making it fuller. When it’s windy, a tighter headstay reduces power as it pulls draft out of the sail. And then there’s everything between those extremes. There are three primary ways to affect headstay sag—backstay, rig tension and mainsheet tension. The backstay is the most effective and often easiest to adjust of the three. An added bonus is the backstay also bends the mast, flattening the main. This helps keep the boat well-balanced. As puffs and lulls affect the sail plan, the backstay keeps both sails powered or depowered together.

The second option, for boats with aft-swept spreaders, is rig tension. By tightening the shrouds, you increase ­tension on the forestay. Generally speaking, given a fixed amount of backstay tension, tightening the shrouds creates more headstay tension. This is helpful if the mainsail is already flat and you don’t want to add more backstay, which might invert the main. Definitely check with your spar manufacturer or one-design guide about maximum shroud tension because it can add a lot of compression and load to the mast. Loosening the shrouds has the opposite effect, adding headstay sag.

The third option, mainly for smaller boats, is mainsheet tension. While its effect is different from boat to boat, mainsheet tension tightens or loosens the leech of the main, which in turn acts like a backstay—more mainsheet tension, more leech tension, less headstay sag.

As the headstay sags, draft gets deeper and moves forward because the sagging headstay puts shape in the front of the jib first. While a slightly deeper jib or genoa is often faster in light air, extreme forward draft is often not the solution when you need power. Enter halyard tension. As you sag the ­headstay, ease halyard tension, and the draft will shift aft. As you tension the headstay, pull the draft forward by ­tightening the halyard.

Until the boat is under­powered, headstay sag helps the boat point higher. That is in part due to the angle of attack. Imagine a straight line drawn halfway up the sail from luff to leech. As you sail upwind with a tight headstay, that line is, for example, 20 degrees off centerline to your boat. The wind flows over the boat and the sails are happy at this hypothetical position. As you sag the forestay, the front of the sail moves to leeward. That same imaginary line is now 15 degrees off centerline. Without factoring in other variables, your boat can now head up 5 degrees to keep the sail at the same angle to the wind.

While different boats seem to handle headstay sag differently, there are some common ways to determine if it is too much or too little. When it is windy and the boat is overpowered, too much sag can result in a lack of pointing. The jib is full because of the sag, and that pulls the bow to leeward. To make matters worse, if overpowered, the mainsail trimmer has likely depowered the mainsail. This compounds the problem of the sideways pull on the sail plan. A great coach of mine would often refer to this as “front loading” (or “back loading”) the sail plan. If you are front-loaded (powerful jib and depowered main), the boat will sail a little sideways upwind, resulting in lack of pointing. Lee helm is a sign of this.

Another key visual of ­excessive headstay sag is when the leech of the jib or genoa “returns,” or angles to windward, up into the mainsail. Trimming the leech close to parallel to the boat’s centerline is often fastest until it is very windy. If the leech returns into the back of the mainsail, it could be a sign that the headstay needs to be tightened. If the leech still returns into the back of the main after the headstay is visually tight, ease the sheet or move the lead aft. At the opposite end of the spectrum, if you’re too tight on the forestay, the boat will feel underpowered or lack pointing ability in light air, which takes us back to the earlier discussion about angle of attack.

When the boat is too flat and underpowered, and crew hiking isn’t needed, I carry as much headstay sag as I can without feeling that the jib leech is returning into the main, the headstay is becoming unstable due to chop or sea state, or the headsail’s draft is too far forward. In light air with a lot of headstay sag, often I ease the sheet slightly so that the leech doesn’t return into the main.

As the wind builds and the crew start hiking, I slowly reduce headstay sag. When everyone is fully hiking and the trimmers are looking to depower to reduce heel, I’ll be near maximum headstay tightness. From the trimmer’s position, the headstay will look nearly straight to the eye. What is maximum tightness? That’s when the backstay tightens to the point where the headstay is firm and the mainsail is too flat and starts to look like it is inside out. Sensors that measure headstay load can be helpful in knowing the load you are at and to confirm you aren’t loading above a manufacturer’s recommended safe working load.

Jib Halyard Tension

Halyard tension
Halyard tension: These comparisons show how you can pull the draft forward with a tighter halyard. Here, the halyard is tensioned gradually (photos left to right). The sail with the tight halyard is also the flattest aft, in contrast to the sail with the softest halyard, which is the fullest aft, displayed by how much cloth you can see from the leeward side of the sail. Erik Shampain

Halyard tension primarily ­controls the draft position of your headsail. A tighter halyard pulls the draft forward, while a looser halyard lets the draft aft. In general, most boats like the draft between 29 and 34 percent through the middle of the sail. Imagine a straight line from the leading edge of the draft stripe to the trailing edge of the draft stripe. A point on the draft stripe (think deepest part of the curve) is farthest from that imaginary line. This is your draft location. When we say draft at 30 percent, we’re saying that the deepest part of the draft stripe is 30 percent back from the luff to the leech on the sail. While we don’t see it often, marks on the draft stripe at 25, 30 and 35 percent can be helpful.

Two primary factors affect draft position, and thus how much halyard is needed to correct it. First and most important is headstay sag, discussed previously. As a headstay sags, it pushes depth into the front of the sail. Ease the halyard and you can get the draft back to the desired location. Inversely, if the headstay is tight and the shape in the front of the sail is pulled out, a tight halyard pulls the draft forward to the desired location. That’s why having good reference marks on halyards is so important. At a leeward mark, if the pit person puts the halyard back where it was at the weather mark, your draft location should be the same.

The second factor is the age of the sail. As a sail ages, the draft naturally goes aft. New sails have the draft quite forward, and thus require less halyard tension to achieve the desired draft location. The opposite is also true. As a sail ages and the draft slides aft, more and more halyard tension is required to pull the draft forward.

Once you understand how the halyard changes draft position, you can fine-tune the sail shape. What’s cool is as you pull halyard tension on and pull the draft forward in the sail, the aft part of the sail gets flatter. That causes less drag when overpowered. Likewise, when underpowered, less halyard tension makes the back part of the sail slightly fuller, which powers the boat up—great for light air and flat water. Now you can point high without fear of hitting a wave and slowing. It’s trickier in choppy conditions. Then, when powered up, a draft-forward sail helps drive the boat through the chop. In underpowered, choppy conditions, the sheet is likely eased a little to keep the boat going, and thus a softer halyard keeps the boat powered up, pulling it through the chop.

Jib Lead Position

Lead position
Lead position: The lead position, fore and aft, affects the bottom of the sail far greater than the top of the sail. As the lead position progressively moves aft (photos left to right), you can see the change in draft-stripe camber is greater down low and barely noticeable at the top draft stripe. Lead position affects power and drag, as indicated by the amount of leech “return” at the bottom of the leech. Erik Shampain

Now let’s talk about lead ­position, which controls the overall camber of your headsail. While it does have an effect on the entire sail, it is most noticeable in the bottom 50 percent. Lead forward creates a fuller, more powerful headsail while lead aft flattens the headsail.

As a general rule, most boats prefer the camber between 11 and 15 percent through the middle and lower middle of the sail. Imagine a straight line from the leading edge of your draft stripe to the trailing edge of your draft stripe. A point on the draft stripe (think deepest part of the curve) is farthest from the imaginary line. This, like your draft location, is also your camber. We divide the length of the imaginary line connecting the front and back of the draft stripe by the length of the imaginary line connecting the deepest part of the sail to the closest spot on the imaginary line. When we say camber at 15 percent, we’re saying that the deepest part of the draft stripe is 15 percent of the overall length of the imaginary line connecting the front of the stripe to the back of the stripe.

While other factors affect the camber of a headsail, such as headstay sag, halyard tension, battens and the age of the sail, the lead has the greatest effect over the bottom of the sail. As you push the lead forward, the bottom of the sail becomes more powerful but also ­creates drag because the wind has to bend around the sail as it passes by. As you pull the lead aft, the bottom of the sail ­flattens, reducing drag but also decreasing power.

A large part of the ­headsail’s lead position is balancing the overall camber of the sail while keeping the telltales breaking close to even. Why do I say close? I believe it is a bit of a myth that they should break evenly. Aboard every fast boat I sail on, the top telltales break just a hair sooner than the lower ones. This is especially true when the boat is fully ­powered up with crew hiking. A slightly twisted open sail ­promotes full flow on the leech telltales while depowering the top of the sail first, which helps righting moment.

As I mentioned before, the age of the sail can result in an overly full sail. As a sail ages, it often requires a flatter foot to maintain a consistent camber. And, as with most things in life, balance is required. If a sagging forestay creates too much camber, lead aft can help. I find that balancing all of these controls is the key to fast sail shapes. Too much of one thing resulting in not enough of another can be slow.

Let’s look at when you want a full versus a flat-footed sail. Because it is a major control of overall power, is it safe to say that the more overpowered you are, the flatter you want your jib. When looking for power, a fuller jib is generally better to a point. If it is choppy and the driver must steer lower to keep the boat moving, a fuller jib will generally help keep the bow down and the boat powerful. In flat water, when powered up without fear that the boat will hit chop and slow down, the foot can be relatively flat and the jib sheeted hard to decrease drag and help ­pointing ability.

Jib Sheet Tension

Sheet tension
Sheet tension: Leech telltales provide a guide to correct sheeting. The loosest sheeting (left) has all ­telltales streaming. This mode keeps the boat fast but with a slightly lower heading. In the middle photo, the telltales are flying but straight back in full force. This indicates maximum trim for a normal upwind VMG. With the tightest sheeting (right), they are slightly stalled, and only the top one is flying. This would be a good setup for a high and slow tactical mode. Erik Shampain

While sheet tension might seem like the easiest part to understand when trimming a headsail, it can be the hardest to master. And while it has minimal effect on draft location, it can have a great effect on overall camber, balance of the boat and helm, and pointing ability.

Taking away other factors, when you ease a headsail sheet, the bottom of the sail gets fuller, while the top of the sail twists open and naturally gets flatter. As with lead position, a significant part of good headsail sheet tension is balancing the overall camber of the entire sail while keeping the telltales breaking close to even.

One factor when ­determining how hard to sheet the jib is backwind in the mainsail. In general, backwinding the mainsail is bad when it can be helped, and easing the sheet a little can really help settle down a luffing mainsail. As a headsail trimmer, I look for a bubble developing at the leading edge of the main, generally around a third up from the bottom of the sail. A slight bubble is often fine, but when the bubble starts “pumping” or the mainsail full-on luffs from front to back, I ease the sheet a little or let the jib lead aft to open up the leech.

Airflow across the sail is just as important, and the go-to indicator on nonoverlapping jibs is leech telltales. While we generally don’t see leech telltales on larger overlapping headsails, perhaps it would be a good thing to start doing. Leech telltale flow is critical for smaller boats because we generally try to sheet as hard as we can without stalling them. By sheeting the headsail tight, we allow the boat to point as high into the wind as it can. I watch the upper leech telltales like a hawk. While mainsails seem to be OK with a little stall in the top telltale, I find that headsails enjoy 100 percent flow. I will often test my sheet tension by sheeting harder until the ­telltales start to stall behind the leech, and then ease it slightly until they fly again. When we’re in a tactical situation that requires sailing a little higher and slower, I will occasionally sheet hard enough that the top leech telltale stalls 10 percent of the time, but never more. These changes are always subtle. On a boat like an Etchells, I’ll move the clew through a range of 3 to 5 millimeters. On a larger boat such as a 50-footer, 8 to 12 millimeters would be a decent range.

We’ve got headstay sag, halyard tension, lead position and sheet tension. None of these functions in isolation. Adjust one and it affects something else.

Finally, with so many ­variables and adjustments, the jib leech tension changes a lot through puffs and lulls. In a lull, often the leech will get tighter because there is less wind stretching it out. This often requires a little ease. Of course, the opposite is true in a puff, and then I’ll bring the sail in a little. It’s vital to communicate with the tactician and driver. Within your final headsail settings, you have the capability to help the boat sail in three ­different modes: slightly higher and slower, slightly lower and faster, and normal velocity made good (VMG). For tactical reasons, the tactician or helms­person might want one of these modes.

OK, let’s put it all together now. We’ve got headstay sag, halyard tension, lead position and sheet tension. None of these functions in isolation. Adjust one and it affects something else. It’s a bit like juggling four balls—the only way you’ll keep them in the air is if you keep them in sync. Let’s sail a hypothetical windward leg, one where we encounter puffs and lulls, and have to account for the occasional tactical situation. Hopefully, by seeing how I manage those elements of jib control, you’ll have a better idea of how you can keep all the balls in the air and work toward perfect jib trim. For this windward leg, I’m ­sailing with the tactician, Steve, the helmsperson, Jim, and our wind caller, Serena.

First, we did our homework. We spent some time sailing upwind before the start, which gave me time to set up the jib as I liked for the conditions, around 8 knots and flat water. With that trim as my normal upwind VMG, we now have a baseline for everything else I’ll do with the jib.

At the start, I’m at 95 percent trim from my baseline. This means I’m close to maximum sheet tension. It’s good for accelerating at a start or out of a tack, or reaccelerating after hitting chop.

At the start, I’m at 95 percent trim from my baseline. This means I’m close to maximum sheet tension. It’s good for accelerating at a start or out of a tack, or reaccelerating after hitting chop. The boat’s moving well and we’re accelerating, as are the boats around us. After a boatlength or two, I feel the boat moving at full speed, so I pull in the sheet just a few more clicks and say, “Max trim” or “100 percent trim.” That tells Steve and Jim that we are trimmed for our best upwind VMG. How do I know this? The leech ­telltales are flowing 100 percent, but just barely. They are on the verge of stalling because they seem jittery rather than fully streaming. As it is only blowing 8 knots, I have set up the jib powerfully, with 3 to 4 inches of headstay sag, the lead set forward to allow a fair amount of power down low, and slight wrinkles in the luff, allowing the draft to slide back to around 30 percent.

Steve starts talking about seeing more wind on the top left side of the course and says we should go fast forward to the left. As the headsail trimmer, I can help make that happen. It’s all simple, subtle changes. I ease the sheet a few millimeters to let the top leech telltales stream with force. If it was windier, I would pull the draft forward with more halyard. This would flatten the back and reduce drag, helping the boat go forward. However, because it is light and we are still looking for maximum power, I will leave the halyard soft. Combined with efforts from the main trimmer and driver, we shift to a low and fast mode.

As we get out to the left side, the wind starts building, as predicted, to 12 to 13 knots. We are fully powered up and hiking hard, but we’re heeling too much. It’s time to depower the headsail. Because the water is so flat, I ask for more backstay to pull out some forestay sag, and then slide the lead aft a hair. As the backstay tensions, I see the leech open slightly, so I pull on some sheet to get the leech right back where it was, with the top leech telltale flowing as before. I have also pulled on more halyard to get the draft forward to the 29 percent range.

We’re now solidly in the ­pressure, and Steve says we should go back to normal VMG. On comes the jib sheet to get the top leech telltales just on the verge of stalling. “Max trim,” I say. A minute or two shy of the layline, we tack onto port and work our way back into the ­middle of the course.

As we come out of the tack, I say “90 percent trim.” Just a few seconds later I say, “95 ­percent.” Seconds later I say, “99 percent.” I really want to make sure we are at full speed before getting to 100 percent, or max trim. As we get back to the center of the course, the wind becomes a little puffy. I’m constantly watching the leech to see if I need to sheet on or off as the leech changes slightly with the puffs. I’m moving the sheet through a range of just 5 to 10 millimeters. Serena calls that this next lull will last at least a minute or longer, so I power the jib up a little with a softer halyard.

As we get closer to the mark, a competitor tacks in front of us and slightly to leeward. Steve says he would prefer not to tack. To keep our air clear for as long as possible, it’s time for a high mode. We’re still in that lull and not overpowered, so I call for a slight backstay ease. That sags the headstay a ­little, ­helping the sail’s angle of attack to the wind—all great for pointing. As the headstay sags a little, the leech telltales want to stall sooner, so I am vigilant about not overtrimming the sail. I know—it’s ­counterintuitive to have the sheet out a little when trying to sail in a high mode, but it’s important not to stall the jib. If the boat slows too much, the keel does less work, and we will start sliding to leeward. After the changes, we are higher and slower, and able to hold our lane.

The wind builds again, and Serena calls out that there is a chop ahead of us, mostly caused by competitors’ wakes, which are crisscrossing everywhere. A little draft forward in the jib will help us punch through the chop in the stronger wind, so I tighten the halyard a little, and the draft moves from 32 to 30 percent. As an unwanted side effect, the leech gets tighter because the halyard is pulling against the sheet. I can tell this because the leech telltales start stalling. I must either ease the sheet a little or let the lead move aft. If we’re looking for power to get through the waves but not to be overpowered, I generally just ease the sheet, which not only opens the leech but also powers up the bottom of the sail. However, right now we are fully powered up, so a little lead aft opens the top of the leech back up, depowering the sail a little. We’re now just boatlengths from the weather mark.

We don’t always run into that many different conditions, but for our purposes, I threw them in so you could see the range of my trimming routine. I try to remember that headsail shape always needs to change based on changing conditions and tactical decisions. I imagine a perfect shape—how I want the jib to look in each condition—and then use the four controls to achieve that. And I’m always anticipating, constantly asking myself what my next change will be if this happened or that happens. I listen to our crew calling puffs and stay ready with a change before the boat slows or heels too much.

One change often affects another part of this hypothetical shape and, as I emphasized earlier, multiple changes often go together. If you can manage that while staying on the same page as the rest of the crew about what mode you need to be in, you’ll go a long way toward keeping the jib optimally trimmed the entire weather leg.

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Lockdown Learning https://www.sailingworld.com/racing/lockdown-learning/ Tue, 30 Jun 2020 22:01:00 +0000 https://www.sailingworld.com/?p=68874 During the heart of the winter COVID-19 lockdown sailors got resourceful in ways to connect and learn.

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Around the Sailing World
To stay connected while under ­stay-at-home, we launched our weekly “Around the Sailing World Dave Reed

Racing is canceled. For everyone. Everywhere. Every day. For the foreseeable future. Except online. This is the new reality spreading across the sport as fast as the COVID-19 virus spreads its devastation around the globe. Shelter-in-place replaces “see you tomorrow.” Physical and social distancing replaces “see you at the boat.”

Sailors, both you and I, hunker down, protecting ourselves and others we don’t know, waiting for “it” to pass as we pass the time with epoxy and gelcoat projects, splicing and boatwork, and exercising to stay fit. We use our free time to prepare for the season to come, when—and if—it ever does. We turn to Virtual Regatta for our tactical fix, to keep our mental skills sharp, to pretend we’re really racing. But gaming gets old, for me at least, because it lacks the real elements we seek: wind in our ­faces, water sluicing past the hull, the companionship of teammates and competitors, the test of skill. And yes, the beverages that follow.

But humans are an adaptable lot, for better or worse, and we sailors know that when the headwind shifts, we adjust our sails or tack. We find a way to the next mark, always with velocity made good.

With sailboat racing, the learning never does stop, which is why, in the onslaught of the pandemic, we suddenly change tacks and find new ways to connect and learn: through webinars hosted by practically every sailmaker on the planet, with virtual boat tours from manufacturers, and live interviews with sailing celebrities and experts alike. US Sailing, for example, launches its excellent “Starboard Portal” with more programming than we can possibly watch and still honor our work-from-home responsibilities. Even I jump on the Zoom bandwagon, launching our “Around the Sailing World” web series in March.

With a laptop and an internet ­connection, I’m instantly ­connected —every Monday at noon—with all the racing and contributing ­editors of this magazine: the elusive Ed Baird, globe-trotting Jonathan McKee, plane-hopping Gary Jobson, rock-star sailing couple Taylor Canfield and Stephanie Roble, all-star coach Steve Hunt, and even our crooner and musician Peter Isler. Week after week, we continue to connect, sharing stories and videos, giving updates from our respective corners of the country, and engaging with amazing special guests. Although we’re physically disconnected, I’ve never felt more connected with those who’ve long contributed to the magazine. It’s easy and it’s fun.

Many a professional sailor, sidelined by the loss of the busy season of spring regattas, has been forced to reinvent themselves as well, some turning to virtual coaching as a means to make ends meet and uphold the continuum of knowledge sharing, which is at an all-time high. Mike Ingham, for example—a regular contributor, Olympic-medal winning coach and one-design expert—finds himself finally doing what he’s been meaning to do for a long time: coaching online. “I’ve been too busy to actually get anything off the ground,” he tells me recently. “Now, I have the time to do it and refine it, and I’m ­really enjoying it.”

Ingham’s model is simple. He’s crafted a series of four-week Zoom sessions on various topics such as “Creating a Process for Tactics and Strategy.” As a longtime J/24 bow guy, the J/24 speed and tuning catches my eye. Each session is two hours, followed by a virtual happy hour for those who want to stick around after class. After all, it is a social sport, and we crave interaction with our fellow sailors almost as much as high-level coaching. He opens it up to a maximum of four J/24 teams—at $500 a team—to keep it personal and interactive. With my own early J/24 season in Newport on hold, I reach out to my skipper and crewmates and suggest we join Ingham’s course.

“The first week starts ­conceptual, and each week gets more and more in-depth for specific conditions, including turning details, techniques and tricks I have accumulated over the years, and downwind,” Ingham explains. “So each week builds on the last. It’s designed for the whole team, and though it is often focused on the driver and trimmer, because that is where most of the speed comes from, it also includes speed roles for the rest of the team.”

Sold.

When we Zoom into class on a Monday night in early May for our first session, the screen is packed with the faces of 20 or so complete strangers, connected from kitchens, bedrooms, offices, basements and living rooms in Illinois, Washington, Rhode Island and San Diego. We go around “the room” and introduce ourselves, sharing our individual “­superpowers,” and then jump right into the content. Using a combination of screen sharing and good old-fashioned whiteboard, Ingham starts with an explanation of a sail’s broad seam and luff curve, and ends the class hours later with a dive into setting up the rig properly.

I’ll admit, looking at all the strange faces, sometimes distracted by objects behind them, takes getting used to. I’m hesitant to raise my emoticon hand for fear of being put into the dumb-question corner. I now know firsthand what my kids are going through with their new virtual school arrangement, and all I can say is, thank goodness I don’t have to do it all day, five days a week.

When class is over, I put my ­notebook away, roll out of my beanbag chair, and head to the kitchen to whip up a tequila and ginger beer for the virtual happy hour with my new friends around the country. We share J/24 sailing stories, and there’s plenty of laughs and banter as Mike noshes on the guacamole and beer his wife delivers to him off camera. When the time comes, I bid good night and “leave the meeting.” It’s late, and I’ve scored a few new tips about setting up the rig, so anticipation for next week’s class is high. Hopefully, in four weeks—when, and if, we go racing—my teammates and I will be far more advanced than we’ve ever been for the first race of the season.

Excited about our first session with Ingham’s online coaching, I send a note to our skipper, Ian Scott, which reads, “Man, we gonna be fast this June.” To which he responds, “Damn right!”

The boat will be ready. Our brains will be ready, and you can bet we’ll be thirsty, as usual. I guess you can say, as much as things change, they do remain the same.

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Helm, Trim, and Heel https://www.sailingworld.com/how-to/helm-trim-and-heel/ Sat, 22 Oct 2016 00:15:02 +0000 https://www.sailingworld.com/?p=68990 Mike Ingham explains how a quality mark rounding requires input from the sails, hull, foils, and crew.

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sail trim
The amount of distance lost to leeward during this J/70 rounding is significant. Note the lack of heel and the jib trimmed harder than the main, which makes the bow want to turn down. Paul Todd/Outsideimages.com

A smooth, efficient turn requires the input from the sails, hull, foils, and crew. Finding the right amount of each takes time and practice.

While coaching at the 2013 J/24 Worlds in Ireland, I watched a highly competitive fleet round the top mark, and then the gate marks at the bottom of the first lap. The lead group was tight, with the usual suspects among them, but there were also a few that were having the race of their lives—for the time being. One moment they were side by side with a top team. Then they’d lose a half boatlength while rounding a mark. With the next maneuver they’d lose another. And we all know what happens next: The top teams were able to get a clear lane and break free while the others faded into the fleet, never to recover. As I observed more, I could see how the best teams made each turn look effortless, much smoother and not just with rudder movement—they used all the tools available.

Let’s first look at how we turn the boat using the combination of rudder, sails, and heel. Fundamentally, the main and jib combination is like a windsurfer sail. On a windsurfer, leaning the mast aft shifts the sail’s center of effort (the center of the power in the sail) aft as well, which makes the board rotate into the wind. Similarly, trimming the mainsail increases leech tension and therefore increases leeward force aft in the boat, while easing the jib relieves force pushing the bow to leeward. When done in unison, the sail plan’s center of effort shifts aft relative to the center of resistance (the underwater foils), which makes the boat want to head up into the wind. Easing the main while trimming the jib does the opposite. Changing heel angle helps steer because of the shape of the hull. The roundness of the bow digging in to leeward while heeling makes the boat want to head up, and the bow digging in to windward (while flattening) makes the boat want to bear away. Steering with the helm is necessary and is by far the most reliable way of changing direction. We are not trying to eliminate using the rudder, we’re just trying to minimize its usage.

The right balance of helm, sails, and heel makes you smooth and fast. But how much of each should you use? There is no simple answer because it depends on the characteristics of your boat, the conditions, and how quick a turn needs to be. For example, if you have to do a big duck behind a boat, take the low lane out of a windward mark, or are executing a penalty turn, you might want to bear away hard. An aggressive bear away will require a substantial main ease and little—if any—jib ease while you heel to windward and pull the helm. While aggressively heading up around a leeward mark, at the start, or as part of a penalty turn, you will pull in your main as fast as you can while letting the jib luff, heeling to leeward, and actively pushing the helm.

Examining more closely such aggressive movements helps us understand the limits to the effectiveness of each method. Under-trimming either of the sails will cause them to luff. Over-trimming them will cause them to stall. Either way, the boat slows, and a slow boat doesn’t turn quickly. You can only vary from optimum trim so much before you will slow the turn. The limits are a partial luff and a slight over trim. Too much leeward heel will cause the boat to slip sideways and stall flow across the underwater foils, making it harder to steer. Change in heel angle of 5 to 10 degrees either way should be enough.

sail trim
Leaning into the turn, trimming the main first and then following with the jib gets this J/70 team around the mark tight. Paul Todd/Outsideimages.com

Too much helm either way (but particularly when bearing away) can act as a speed break. If it’s overdone, flow may even cease across the rudder and stop the turn completely. In short, if by using these techniques we lose too much flow on either our blades or sails we’ve gone past the productive limits. A maneuver that requires a quick turn will push the limits of losing flow. A maneuver requiring a small turn will only vary subtly from optimum speed.

Each unique boat will require its ideal combination of helm, heel, and trim. For example, if your boat has a small rudder, it will lose flow easily on the rudder so you want to minimize helm use and focus your efforts on using sails and heel to turn the boat. If your boat has a small main, it will lose flow easily, so more rudder and heel than sails may be best. If your boat has a small or inefficient keel, it will slide sideways easily, so don’t overdo it with the heel. If your boat has a large genoa, make sure you only vary slightly from optimum trim because it’s so important to the speed of your boat. If you over trim it too much, it will act as a break, and if you under trim it too much, you will lose a good portion of your speed force and that’s not good either. If your boat is lightweight, say a dinghy, much of a turn can be done with body weight. My Thistle, for example, has a large main and large rudder, but a small jib. I can steer well with weight, and I really focus on using the main because it is so much bigger than the jib. The rudder is much smaller on the Thistle, so we try to use it as little as possible. Conversely, a J/24 is a lot heavier so we still try to steer with heel, and since it has such a large genoa, we make sure that it’s trimmed well.

Armed with these basics, the only way to know what works best for your boat is to experiment with these characteristics. To start with, I recommend leaving complications ashore, such as extra crew and the spinnaker gear. You want to focus on the pure maneuvers without those distractions—they will be easy to add later. Next, experiment with turning too fast, trimming too hard, and heeling too much so you understand the limits of your boat. Then record some video as you experiment. For example, try a leeward mark rounding three ways: exaggerating the sail trim in one, the heel in the next, and finally the rudder. Then try subtle combinations.

Don’t underestimate the of value of helm feedback. You will know you have it right when you do your move with the helm feeling smooth and unforced. You should be able to immediately feel in your fingertips any unbalance in trim or heel. Then, watch check out your wake: If leaving a question-mark trail, you need to rebalance. If your leeward mark rounding shows a lot of turbulence, and your track indicates you’re sliding sideways, you’ve heeled too much.

Once you understand the right combinations for each move on your boat, you can add the rest of the team. Practice it so everyone knows what to do without much micromanaging; there is no time for that. Someone, usually the helmsman, will need to modify what is happening. For example, if you feel too much force one way or the other on the helm, recognize it quickly and call for a modification such as “less heel,” or “ease the jib.”

There are many factors that lead to sailboat racing success, but I find in my coaching that people tend to put the mechanics of turning as a low priority. They will work so hard to gain one boatlength upwind just to lose it at the corners. A small investment in learning your boat, then practicing to optimize your turns puts you in control of your race and that, for sure, is much more fun.

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The Six-Point Success Plan https://www.sailingworld.com/how-to/the-six-point-success-plan/ Tue, 20 Sep 2016 22:40:45 +0000 https://www.sailingworld.com/?p=67945 No two races are won the same way, but sticking to this six-point plan will help you win regattas.

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Paul Todd/Outside Images
Going into each race with a game plan can make a huge difference in performing consistently at events. Paul Todd/Outside Images

Good coaches in any sport usually advise their charges to focus on just a handful of ideas when they compete. This advice is especially potent in sailing because there are so many variables. Try to focus on them all, and it’s easy to get overwhelmed. Putting your emphasis on what’s important will keep you at the front of the fleet. Here are six general rules I keep in mind whenever I compete.

1. Stay in line at the start
Generally, the worst starts are a result of getting to the line too early. All of the other boats are just behind you, and when you slow down to avoid being over early, the trailing boats overlap you and steal your speed and maneuverability. At the gun, you’re in the front row, but going nowhere, and everyone else leaves you in the dust. Conversely, if you get behind the line of boats that set up 50 to 20 seconds before the start, you may never get through—especially in light air—and find yourself sucking bad air off the line.

Try this: When everyone starts to line up, get in there and keep your bow even with the other boats. Focus half of your energy on staying in line with the other boats and the other half on determining whether the line of boats is early or late. If you can’t determine where the line of boats stands relative to the starting line, when the guy next to you sheets on, do the same. Nine times out of 10, if you’re in the line of boats and sheet on at the right time, you’ll be in better shape than if you try something else.

** 2. Develop an anti-pack mentality**
Packs of boats go slow. This is especially true in light air. On the starting line, stay to the edges of the packs: maybe it’s just to leeward of a group of boats fighting for position at the committee boat, just to windward of a pack trying to win the pin, or on either side of a pack in the middle of the line. Staying on the edge keeps your options open and, more importantly, keeps you from being controlled by other boats. Plus, it usually keeps you in clean air at a very crucial time.

The same principle applies on upwind and downwind legs. When you see a pack forming, get to one side or the other. Tactical issues, such as trying to hold the inside position at an upcoming mark rounding, may determine the side you choose. Regardless, avoid running with the herd.

3. Stay lifted
This is Racing 101, and I’m sure you’ve read or heard this nugget of advice a million times, but it’s always worth repeating. Stay on the lifted tack as much as possible. It’s very difficult to predict the wind. The key is to take a little bit of a gain whenever you can and minimize the risk. Sailing on the lifted tack—the one where your bow points more toward the mark—always makes your VMG to the mark, at that moment, at least as good as any other boat out there.

If you’re on the headed tack, you should have a good reason to be going that direction, such as better pressure or a known geographical shift. While you’re on the headed tack, however, anyone on the lifted tack is making better progress toward the mark. There are a lot of reasons to sail a 5-degree header, but there are few good reasons to sail a 20-degree header.

4. Take the under
If you’re contemplating a tack, and there are boats coming the other direction, the smart move is to leebow instead of crossing, or letting them cross and tacking on their windward hip, or “hipping up.” The boat to leeward, and ahead, always has cleaner breeze. The boat to windward, and behind, is always in a compromised position. There’s also a psychological advantage to being the leeward boat. Seeing a boat in the window of your sails tends to make you pinch and go slower.

If you’re thinking about tacking because you’re getting headed or approaching a layline, you’ll want to lead the other boat to the next shift. If you cross them, or let them cross you, before tacking, you won’t be leading your opponent to the next shift. You’ll be following them. An exception to this would be when you’re sailing the lifted tack. If you leebow a boat that’s sailing on a headed tack you’ll obviously end up on the headed tack, too. Then, once the wind shifts and starts to lift, the boat you leebowed will gain because they are closer to the shift.

5. Plan ahead
Before you round a mark, determine in which phase the breeze is in and use this information to formulate your plan for the next leg. For example, if you’re on the lifted tack as you come into the windward mark, you’ll want to think about jibing after rounding the mark. And if you’re coming into the leeward mark on a headed port jibe, you’ll want to get on starboard tack as quickly as possible after rounding the mark. Make sure to discuss these plans with your crew before you begin any preparation for rounding. Then execute the rounding that best fits your plan. That means before the crew begins preparing for the spinnaker set while going upwind, and before the takedown begins going downwind. If you decide to continue on starboard jibe after the windward mark rounding, you don’t want to get caught low immediately after the mark and risk a trailing boat sailing high and stealing your breeze.

6. Warm up right
A common rule of thumb for sailors is to get to the racecourse at least an hour before the first start, giving you time to learn the course, work on your boatspeed, plan your start, etc. But there’s never enough time to do everything. So you must plan your warm-up time to suit the conditions.

If it’s really shifty, sail upwind and focus on learning the maximums and minimums (high and low headings) on each tack, and whether there’s a pattern to the shifts. Sail through a whole phase on one tack, from all the way headed to all the way lifted. When I sailed collegiately on upstate New York’s Lake Seneca, we would have races with 40-degree shifts. On one tack you’d be sailing toward the mark, and on the other you’d be sailing away from it. In such shifty conditions you’re better off spending your warm-up time on learning shifts than on boatspeed. Conversely, if the conditions are such that one side is usually favored, and there might be just a small shift or little bit of a pressure difference, 90 percent of that race, assuming you’ve had a good start, will be boatspeed related.

If you’re slow, there is no way you can have a great race. In this scenario, use your warm-up time to focus on boatspeed. Try to tune with one of the best teams. When they tack, you should do the same to stay with them. Make sure you start the race with a good idea how to set up your boat for the conditions. While doing this, however, keep an eye on the shifts. A timed split with another good team is one quick and effective way to learn the subtleties of the breeze. In those conditions, knowing that passing lanes will be few and far between, I would also practice starting, focusing on details such as accelerating off the line.

If there’s a favored side, practice a start that will set you up for that side of the course. The general idea is to pick an important factor for the upcoming race and practice that beforehand instead of, for example, something more general like spinnaker takedowns or roll tacking. Ideally, by the time you’re on the course, you’ll have those key basics down, and you can focus on what’s most important for the prevailing conditions.

Like anything in sailing, this list is far from foolproof. It’s all about playing the percentages, and avoiding unnecessary risk. Stick to this list—write them down on your deck or review them before each race—and more often than not, you’ll benefit. They will not win you every race—they may not win you any races—but they will prevent you from making many regatta-losing mistakes.

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Doublehanded Dynamics https://www.sailingworld.com/how-to/doublehanded-dynamics/ Mon, 20 Jun 2016 23:11:36 +0000 https://www.sailingworld.com/?p=67187 Listen in on 470 champions Annie Haeger and Briana Provancha to learn about skipper-crew communications.

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For the past two years, sailing legend Dave Ullman has been coaching U.S. women’s 470 sailors Annie Haeger and Briana Provancha. As a team, the arc of their success has been remarkable, culminating this past August with a gold medal in the final Olympic test event in Rio. A big part of their success lies in their ability to navigate the challenges of sailing a two-person boat, where each person’s moves must be carefully choreographed and coordinated with the other. On this stage, success is no accident.

I was fortunate to have teamed up with Tom Linskey for eight years in the 470. Tom was an amazing talent and could easily have been an Olympic-caliber driver, except he wasn’t quite the right size. As a crew, he was perfect, and together we won three 470 world championships. I had total faith in his ability to handle tactics, which allowed me to focus on making the boat go fast. For us, it was an ideal skipper-crew pairing, so whenever I’m coaching two-person boats, I tend to look at it through the lens of my experiences with Tom. Other skipper-crew combinations of experience and ability can be equally successful, but this is one that definitely works. As a coach for a two-person team, I am tasked with discovering the exact division of responsibilities that will produce the greatest strengths in the total racing effort.
In general, when sailing upwind, the skipper is in charge of boatspeed, with the crew playing a mechanical role in that part, mainly handling the jib. The skipper also deals with boat-to-boat tactics. The crew is normally in charge of big-picture tactics as well as keeping tabs on the compass—headers and lifts—and velocity changes. For instance, let’s say you’re sailing on port tack approaching a group of starboard tackers. The crew tells the skipper what they should do—either go behind the group and set up on the group’s weather hip or tack ahead and to leeward of the group and lead them to a header or area of better velocity. The skipper then figures out where to place the boat to make it happen.
Having said that, you must be honest about what each person can do best and then structure the duties around that, setting up roles that build on each person’s strengths. Some skippers prefer to deal with big and small tactics, while the crew concentrates on wind velocity and the compass. It depends on what best fits their personalities and experience. Once the roles are clear, the next goal is to make each person’s job second nature so they do not have to think about what they’re doing. If the skipper is doing all of the tactics, he or she must be able to look around and not have to focus on driving the boat. At the Olympic level, you need to be able to sail at 95% efficiency without even looking at the boat. That means your eyes are not on the sails, where the boom is or anything like that. Instead, your senses tell you how the boat is going. If you don’t have to concentrate on physically sailing the boat, you can concentrate on the chess game that is happening around you.
Downwind, the roles are clear and fixed, because flying the spinnaker is a full-time job for the crew. A good downwind crew never knows where they are on the course. They might be able to spare a glance every two minutes or so to see where the other boats are, but in between those, they shouldn’t have any idea what’s going on and must have total faith in the skipper’s ability to put the boat in the proper place. While the crew deals with the spinnaker, the skipper becomes the eyes of the boat, watching the compass for shifts and keeping an eye out for velocity changes.
What’s the onboard conversation like for a world-class team like Annie and Briana? Annie might tell Bri, “We’re going to go into a low mode,” and Bri might respond, “Ok. We have good pressure, you can work down if you want.” Or for tactical reasons, such as keeping their air clean, Annie might say, “We have to sail slightly higher and faster.” Annie is also watching the compass, and might say, “We’re lifted 10 degrees; next move will be a jibe.” And Bri would simply respond, “Ready to jibe.” In many cases, you might also hear the crew talking about pressure, saying, “I have good pressure,” or “I need more pressure.” That dialogue should be continuous, all the way down the leg.
In the 470 class, when the pumping flag is up, all restrictions on pumping and rocking are lifted, and then the skipper and crew will work to pump and rock the boat in unison. Good teams, such as Annie and Bri, do that with no real discussion. The only thing you might hear is the skipper saying, “This is all working well. We’re gaining,” or “Let’s smooth it out a little; we’re losing.” Overall, the skipper is giving feedback to the crew about how they are doing relative to the other boats so they can regulate the amount of pumping or rocking.
On the starting line, the crew needs to free the skipper up to concentrate fully on getting off the line properly. You’re usually in close proximity to the other boats, but because the skipper is paying so much attention to boat speed, there’s no time to pay attention to the other boats. So the crew has to tell the skipper how they’re doing relative to the boat to windward and the boat to leeward. You usually won’t hear the skipper talking. Listen in on Annie and Bri at the start, and you’ll hear Bri saying things such as, “Nice start. We’ve got a clear lane. Boat below is sailing a little lower and faster, giving us a slightly bigger lane.” Or, you might hear, “Boat below is sailing higher and slower, making our lane narrower.” In talking about a boat to windward, she might say, “Boat above us is sailing slightly faster and lower. May roll us. We need to go faster.” Or, “Boat above is not a problem. Sailing slightly higher and slower. We can hold our lane.” I think of a successful start as one where you can sail the first two minutes without having to tack or worry about boats around you. Information the crew provides that allows the skipper helps ensure that.
Conversations need to be done in as few words as possible. Ideally, about the only time you’ll hear talking is when there is a reason to relay something to your teammate. It’s like doubles partners in tennis, where each partner moves in sync with the other to cover the court. There’s very little talking except to alert your partner to expect something. Upwind, you might hear Annie tell Bri, “Going good. Nice call on that shift.” Or, “Need a little more report on the compass.” Or she might ask, “What do you see for pressure ahead?” It’s important to make comments precise, accurate and brief. That’s something we’re always working on. Comments need to be a minimum of words because, in the heat of battle, the person you’re talking to only hears a part of what you’re saying. They’ll have a better chance of hearing you if you can say it in the most precise way possible, using consistent terminology.
Listen in to a really good team, and you won’t hear talk about how the boat is being sailed, such as, “We need to sail the boat flatter” or “Bring the jib in a bit more.” Annie and Briana are well beyond that stage. You might hear Annie tell Briana, “We need more power,” but that’s just feedback from the skipper, who is feeling the boat move.
Things don’t always go according to plan, and if you end up in the back of the fleet, it’s the crew’s job to keep the skipper 100 percent focused and still in the game mentally. The right words of encouragement do a lot to keep the skipper from getting into that psychological place where he or she can no longer focus. Sometimes you can do that by setting smaller, achievable goals, such as, “Let’s get the boat in front of us.” The crew can also highlight what’s working, even though it might not be a huge game-changer. For instance, pointing out that, “We just gained on that last tack” can help set the stage for even more positive outcomes. By the same token, the crew can also provide key information about point standings in the regatta. I can’t tell you how many times I have seen a team leading a regatta throw it all away on a flyer because they got behind in one race, when all they had to do was pass two or three boats to still be in it. When it’s going badly, the skipper especially must be more focused and concentrate even harder. The crew can help make that happen.
Right now, we have a sport where pretty much only the higher levels spend time practicing, although I think that is changing. Working on skipper/crew dynamics is one area where thoughtful practice will really pay off. It know it has for Annie and Briana, and it certainly was a key to the success Tom and I had together.

Dave Ullman has been coaching Olympic sailing athletes since 1988. A former member of the US Sailing Board of Directors, Dave is the President of Ullman Sails.

2014 ISAF Sailing World Championships – Day 7

Dave Ullman looks on while Anne Haeger and Briana Provancha sail at the 2014 ISAF Sailing World Championships in Santander, Spain. Mick Anderson/SAILINGPIX/US Sailing
“I am tasked with discovering the exact division of responsibilities that will produce the greatest strengths in the total racing effort,” says Ullman of Annie and Briana. Will Ricketson/US Sailing
Will Ricketson/US Sailing

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